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Ambrose Akinmusire Quartet at Jimmy’s

Jimmy’s Jazz & Blues Club
135 Congress St
Portsmouth, NH 03801 US

We are thrilled to announce ๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ & ๐‚๐ซ๐ข๐ญ๐ข๐œ๐š๐ฅ๐ฅ๐ฒ ๐€๐œ๐œ๐ฅ๐š๐ข๐ฆ๐ž๐ ๐‰๐š๐ณ๐ณ ๐‚๐จ๐ฆ๐ฉ๐จ๐ฌ๐ž๐ซ ๐š๐ง๐ ๐“๐ซ๐ฎ๐ฆ๐ฉ๐ž๐ญ๐ž๐ซ ๐€๐Œ๐๐‘๐Ž๐’๐„ ๐€๐Š๐ˆ๐๐Œ๐”๐’๐ˆ๐‘๐„ and his Quartet will perform at Jimmyโ€™s Jazz & Blues Club on ๐…๐ซ๐ข๐๐š๐ฒ ๐‰๐š๐ง๐ฎ๐š๐ซ๐ฒ ๐Ÿ๐Ÿ at ๐Ÿ•:๐Ÿ‘๐ŸŽ ๐๐Œ. ๐ด๐‘˜๐‘–๐‘›๐‘š๐‘ข๐‘ ๐‘–๐‘Ÿ๐‘’ ๐‘Ž๐‘›๐‘‘ โ„Ž๐‘–๐‘  ๐‘„๐‘ข๐‘Ž๐‘Ÿ๐‘ก๐‘’๐‘ก ๐‘Ÿ๐‘’๐‘๐‘’๐‘–๐‘ฃ๐‘’๐‘‘ ๐‘Ž 2021 ๐บ๐‘…๐ด๐‘€๐‘€๐‘Œ ๐ด๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘๐‘œ๐‘š๐‘–๐‘›๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘“๐‘œ๐‘Ÿ โ€œ๐ต๐‘’๐‘ ๐‘ก ๐ฝ๐‘Ž๐‘ง๐‘ง ๐ผ๐‘›๐‘ ๐‘ก๐‘Ÿ๐‘ข๐‘š๐‘’๐‘›๐‘ก๐‘Ž๐‘™ ๐ด๐‘™๐‘๐‘ข๐‘šโ€ ๐‘Ž๐‘›๐‘‘ ๐ด๐‘˜๐‘–๐‘›๐‘š๐‘ข๐‘ ๐‘–๐‘Ÿ๐‘’ ๐‘ค๐‘œ๐‘› ๐‘กโ„Ž๐‘’ ๐ท๐‘œ๐‘ค๐‘›๐‘๐‘’๐‘Ž๐‘ก ๐ถ๐‘Ÿ๐‘–๐‘ก๐‘–๐‘โ€™๐‘  ๐‘ƒ๐‘œ๐‘™๐‘™ ๐‘“๐‘œ๐‘Ÿ โ€œ#1 ๐‘‡๐‘Ÿ๐‘ข๐‘š๐‘๐‘’๐‘ก๐‘’๐‘Ÿโ€ ๐‘“๐‘œ๐‘Ÿ 8 ๐‘ฆ๐‘’๐‘Ž๐‘Ÿ๐‘  ๐‘–๐‘› ๐‘Ž ๐‘Ÿ๐‘œ๐‘ค (2013-2020) & ๐‘–๐‘  ๐‘Ž 3๐‘ฅ-๐ฝ๐‘Ž๐‘ง๐‘ง ๐ฝ๐‘œ๐‘ข๐‘Ÿ๐‘›๐‘Ž๐‘™๐‘–๐‘ ๐‘ก ๐ด๐‘ ๐‘ ๐‘œ๐‘๐‘–๐‘Ž๐‘ก๐‘–๐‘œ๐‘› โ€œ๐‘‡๐‘Ÿ๐‘ข๐‘š๐‘๐‘’๐‘ก๐‘’๐‘Ÿ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘Œ๐‘’๐‘Ž๐‘Ÿโ€ ๐ด๐‘ค๐‘Ž๐‘Ÿ๐‘‘-๐‘Š๐‘–๐‘›๐‘›๐‘’๐‘Ÿ.

โ€œโ€ฆ๐‘จ๐’Œ๐’Š๐’๐’Ž๐’–๐’”๐’Š๐’“๐’† ๐’Š๐’” ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’Ž๐’๐’”๐’• ๐’‚๐’„๐’„๐’๐’‚๐’Š๐’Ž๐’†๐’… ๐’‹๐’‚๐’›๐’› ๐’‚๐’“๐’•๐’Š๐’”๐’•๐’” ๐’๐’‡ ๐’‰๐’Š๐’” ๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’•๐’Š๐’๐’, ๐’‚ ๐’•๐’“๐’–๐’Ž๐’‘๐’†๐’•๐’†๐’“ ๐’๐’‡ ๐’…๐’†๐’†๐’‘ ๐’†๐’™๐’‘๐’“๐’†๐’”๐’”๐’Š๐’—๐’† ๐’“๐’†๐’”๐’๐’–๐’“๐’„๐’†๐’” ๐’‚๐’๐’… ๐’‚ ๐’„๐’๐’Ž๐’‘๐’๐’”๐’†๐’“ ๐’๐’‡ ๐’Œ๐’‚๐’๐’†๐’Š๐’…๐’๐’”๐’„๐’๐’‘๐’Š๐’„ ๐’—๐’Š๐’”๐’Š๐’๐’.โ€
โ€” ๐‘ต๐‘ท๐‘น

โ€œ๐‘ช๐’๐’†๐’‚๐’“๐’๐’š ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’—๐’†๐’“๐’š ๐’”๐’‘๐’†๐’„๐’Š๐’‚๐’ ๐’‚๐’๐’… ๐’‘๐’†๐’“๐’”๐’๐’๐’‚๐’ ๐’Š๐’” ๐’‚๐’• ๐’˜๐’๐’“๐’Œ ๐’‰๐’†๐’“๐’†, ๐’‚ ๐’—๐’Š๐’”๐’Š๐’๐’ ๐’๐’‡ ๐’‹๐’‚๐’›๐’› ๐’•๐’‰๐’‚๐’•โ€™๐’” ๐’ƒ๐’Š๐’ˆ๐’ˆ๐’†๐’“ ๐’•๐’‰๐’‚๐’ ๐’„๐’‚๐’Ž๐’‘๐’”, ๐’ƒ๐’“๐’๐’‚๐’…๐’†๐’“ ๐’‚๐’๐’… ๐’Ž๐’๐’“๐’† ๐’Š๐’๐’•๐’†๐’๐’๐’†๐’„๐’•๐’–๐’‚๐’๐’๐’š ๐’“๐’†๐’”๐’•๐’๐’†๐’”๐’” ๐’•๐’‰๐’‚๐’ ๐’ƒ๐’๐’๐’˜๐’Š๐’๐’ˆ ๐’”๐’†๐’”๐’”๐’Š๐’๐’๐’”.โ€
โ€” ๐‘ป๐‘ฏ๐‘ฌ ๐‘ณ๐‘ถ๐‘บ ๐‘จ๐‘ต๐‘ฎ๐‘ฌ๐‘ณ๐‘ฌ๐‘บ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ

โ€œ๐‘จ ๐’•๐’‰๐’“๐’Š๐’๐’๐’Š๐’๐’ˆ ๐’š๐’๐’–๐’๐’ˆ ๐’•๐’“๐’–๐’Ž๐’‘๐’†๐’•๐’†๐’“ ๐’‚๐’๐’… ๐’‚๐’”๐’•๐’–๐’•๐’† ๐’ƒ๐’‚๐’๐’…๐’๐’†๐’‚๐’…๐’†๐’“ ๐’˜๐’Š๐’•๐’‰ ๐’‚ ๐’–๐’๐’Š๐’’๐’–๐’† ๐’”๐’‘๐’‚๐’“๐’Œ ๐’Š๐’ ๐’‰๐’Š๐’” ๐’‘๐’๐’‚๐’š๐’Š๐’๐’ˆ.โ€
โ€” ๐‘ป๐‘ฏ๐‘ฌ ๐‘ต๐‘ฌ๐‘พ ๐’€๐‘ถ๐‘น๐‘ฒ๐‘ฌ๐‘น

Tแด แดกแด€แด›แด„สœ แด€ษดแด… สŸษชsแด›แด‡ษด แด›แด แด›สœแด‡ Aแดส™ส€แดsแด‡ Aแด‹ษชษดแดแดœsษชส€แด‡ Qแดœแด€ส€แด›แด‡แด› แด€แด› ๐‰ษชแดแดสโ€™s ๐‰แด€แดขแดข & ๐สŸแดœแด‡s ๐‚สŸแดœส™ – sแดœแด˜แด˜แดส€แด›แด‡แด… ส™ส แดแดœส€ ษดแด‡แดก sแด›แด€แด›แด‡-แด๊œฐ-แด›สœแด‡-แด€ส€แด› แด˜ส€แดแด…แดœแด„แด›ษชแดษด, sแดแดœษดแด… แด€ษดแด… สŸษชษขสœแด›ษชษดษข แด›แด‡แด„สœษดแดสŸแดษขษชแด‡s โ€“ แดกษชสŸสŸ แดแด€แด‹แด‡ ๊œฐแดส€ แด€ แดแด‡แดแดส€แด€ส™สŸแด‡ แด‡แด แด‡ษดษชษดษข แด๊œฐ แด˜สœแด‡ษดแดแดแด‡ษดแด€สŸ แด€ษดแด… ษชษดsแด˜ษชส€แด€แด›ษชแดษดแด€สŸ แดŠแด€แดขแดข แดแดœsษชแด„!! Wแด‡ แด€ส€แด‡ แด แด‡ส€ส แด‡xแด„ษชแด›แด‡แด… แด›แด สœแด‡แด€ส€ sแดษดษขs ๊œฐส€แดแด Aแดส™ส€แดsแด‡โ€™s GRAMMYยฎ Aแดกแด€ส€แด… Nแดแดษชษดแด€แด›แด‡แด… AสŸส™แดœแด โ€œOษด Tสœแด‡ Tแด‡ษดแด…แด‡ส€ Sแด˜แดแด› O๊œฐ Eแด แด‡ส€ส Cแด€สŸสŸแดแดœsแด‡แด… Mแดแดแด‡ษดแด›โ€ แด€แด› Jษชแดแดสโ€™s – สŸษชแด แด‡ แด€ษดแด… ษชษด-แด˜แด‡ส€sแดษด!!

๐ƒ๐ฎ๐ซ๐ข๐ง๐  ๐ก๐ข๐ฌ ๐Ÿ๐Ÿ“-๐ฒ๐ž๐š๐ซ ๐œ๐š๐ซ๐ž๐ž๐ซ, ๐€๐Œ๐๐‘๐Ž๐’๐„ ๐€๐Š๐ˆ๐๐Œ๐”๐’๐ˆ๐‘๐„ ๐ก๐š๐ฌ ๐ฉ๐š๐ซ๐š๐๐จ๐ฑ๐ข๐œ๐š๐ฅ๐ฅ๐ฒ ๐ฌ๐ข๐ญ๐ฎ๐š๐ญ๐ž๐ ๐ก๐ข๐ฆ๐ฌ๐ž๐ฅ๐Ÿ ๐ข๐ง ๐›๐จ๐ญ๐ก ๐ญ๐ก๐ž ๐œ๐ž๐ง๐ญ๐ž๐ซ ๐š๐ง๐ ๐ญ๐ก๐ž ๐ฉ๐ž๐ซ๐ข๐ฉ๐ก๐ž๐ซ๐ฒ ๐จ๐Ÿ ๐ฃ๐š๐ณ๐ณ, ๐ฆ๐จ๐ฌ๐ญ ๐ซ๐ž๐œ๐ž๐ง๐ญ๐ฅ๐ฒ ๐ž๐ฆ๐ž๐ซ๐ ๐ข๐ง๐  ๐ข๐ง ๐œ๐ฅ๐š๐ฌ๐ฌ๐ข๐œ๐š๐ฅ ๐š๐ง๐ ๐ก๐ข๐ฉ ๐ก๐จ๐ฉ ๐œ๐ข๐ซ๐œ๐ฅ๐ž๐ฌ. Heโ€™s on a perpetual quest for new paradigms, masterfully weaving inspiration from other genres, arts, and life in general into compositions that are as poetic and graceful as they are bold and unflinching. His unorthodox approach to sound and composition make him a regular on critics polls and have earned him earned him grants and commissions from the Doris Duke Foundation, the MAP Fund, the Kennedy Center, among others. While Akinmusire continues to garner accolades, his reach is always beyondโ€”himself, his instrument, genre, form, preconceived notions, and anything else imposing limitations. Akinmusire is a rigorous practitioner with an uncompromising dedication to creation.

๐๐จ๐ซ๐ง ๐š๐ง๐ ๐ซ๐š๐ข๐ฌ๐ž๐ ๐ข๐ง ๐Ž๐š๐ค๐ฅ๐š๐ง๐, ๐‚๐š๐ฅ๐ข๐Ÿ๐จ๐ซ๐ง๐ข๐š, Ambrose Akinmusire ๐ฐ๐š๐ฌ ๐š ๐ฆ๐ž๐ฆ๐›๐ž๐ซ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐ž๐ซ๐ค๐ž๐ฅ๐ž๐ฒ ๐‡๐ข๐ ๐ก ๐’๐œ๐ก๐จ๐จ๐ฅ ๐‰๐š๐ณ๐ณ ๐„๐ง๐ฌ๐ž๐ฆ๐›๐ฅ๐ž ๐ฐ๐ก๐ž๐ง ๐ก๐ž ๐œ๐š๐ฎ๐ ๐ก๐ญ ๐ญ๐ก๐ž ๐š๐ญ๐ญ๐ž๐ง๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ฌ๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ ๐’๐ญ๐ž๐ฏ๐ž ๐‚๐จ๐ฅ๐ž๐ฆ๐š๐ง. Akinmusire was asked to join Colemanโ€™s Five Elements, embarking on a European tour when he was just a 19-year-old student at the Manhattan School of Music. After returning to the West Coast to pursue a masterโ€™s degree at the University of Southern California, Akinmusire went on to attend the Thelonious Monk Institute of Jazz in Los Angeles, where he studied with Herbie Hancock, Wayne Shorter and Terence Blanchard.

๐ˆ๐ง ๐Ÿ๐ŸŽ๐ŸŽ๐Ÿ• ๐€๐ค๐ข๐ง๐ฆ๐ฎ๐ฌ๐ข๐ซ๐ž ๐ฐ๐จ๐ง ๐ญ๐ก๐ž ๐ฉ๐ซ๐ž๐ฌ๐ญ๐ข๐ ๐ข๐จ๐ฎ๐ฌ ๐“๐ก๐ž๐ฅ๐จ๐ง๐ข๐จ๐ฎ๐ฌ ๐Œ๐จ๐ง๐ค ๐ˆ๐ง๐ญ๐ž๐ซ๐ง๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐‰๐š๐ณ๐ณ ๐‚๐จ๐ฆ๐ฉ๐ž๐ญ๐ข๐ญ๐ข๐จ๐ง, ๐๐ž๐œ๐ข๐๐ž๐ ๐›๐ฒ ๐š ๐ฉ๐š๐ง๐ž๐ฅ ๐จ๐Ÿ ๐ฃ๐ฎ๐๐ ๐ž๐ฌ ๐ญ๐ก๐š๐ญ ๐ข๐ง๐œ๐ฅ๐ฎ๐๐ž๐ ๐๐ฅ๐š๐ง๐œ๐ก๐š๐ซ๐, ๐๐ฎ๐ข๐ง๐œ๐ฒ ๐‰๐จ๐ง๐ž๐ฌ, ๐‡๐ž๐ซ๐› ๐€๐ฅ๐ฉ๐ž๐ซ๐ญ, ๐‡๐ฎ๐ ๐ก ๐Œ๐š๐ฌ๐ž๐ค๐ž๐ฅ๐š, ๐‚๐ฅ๐š๐ซ๐ค ๐“๐ž๐ซ๐ซ๐ฒ ๐š๐ง๐ Roy Hargrove.That year Akinmusire also won the Carmine Caruso International Jazz Trumpet Solo Competition and released his debut album โ€˜Preludeโ€ฆTo Cora.โ€™ He moved back to New York and began performing with the likes of Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran. It was also during this time that he first caught the attention of another discerning listener, Bruce Lundvall, President of Blue Note Records.

๐€๐ค๐ข๐ง๐ฆ๐ฎ๐ฌ๐ข๐ซ๐žโ€™๐ฌ ๐๐ฅ๐ฎ๐ž ๐๐จ๐ญ๐ž ๐‘๐ž๐œ๐จ๐ซ๐ ๐๐ž๐›๐ฎ๐ญ ๐š๐ฅ๐›๐ฎ๐ฆ โ€˜๐–๐ก๐ž๐ง ๐“๐ก๐ž ๐‡๐ž๐š๐ซ๐ญ ๐„๐ฆ๐ž๐ซ๐ ๐ž๐ฌ ๐†๐ฅ๐ข๐ฌ๐ญ๐ž๐ง๐ข๐ง๐ โ€™ ๐ฐ๐š๐ฌ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐ ๐ข๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ ๐ญ๐จ ๐ซ๐š๐ฏ๐ž ๐ซ๐ž๐ฏ๐ข๐ž๐ฐ๐ฌ. THE LOS ANGELES TIMES praised his โ€œchameleonic tone that can sigh, flutter or soar,โ€ adding that โ€œAkinmusire sounds less like a rising star than one that was already at great heights and just waiting to be discovered.โ€ DOWNBEAT MAGAZINE described his playing as โ€œspectacular and not at all shy โ€” muscular, driving, with a forward sound, pliant phrasing and a penchant for intervallic leapsโ€ฆโ€ THE NEW YORK TIMES rated โ€˜When The Heart Emerges Glisteningโ€™ as one of Best Albums of 2011, #1 in Jazz. In the same year, Akinmusire won 2 Jazz Journalist Association Awards โ€“ โ€œTrumpeter of the Yearโ€ & โ€œUp and โ€œComing Artist of the Year.โ€ He also was the Downbeat Criticโ€™s Poll โ€œJazz Artist of the Yearโ€ Award-Winner.

๐€๐ค๐ข๐ง๐ฆ๐ฎ๐ฌ๐ข๐ซ๐žโ€™๐ฌ ๐ฌ๐ž๐œ๐จ๐ง๐ ๐๐ฅ๐ฎ๐ž ๐๐จ๐ญ๐ž ๐š๐ฅ๐›๐ฎ๐ฆ โ€“ ๐ญ๐ก๐ž ๐œ๐ซ๐ข๐ญ๐ข๐œ๐š๐ฅ๐ฅ๐ฒ ๐š๐œ๐œ๐ฅ๐š๐ข๐ฆ๐ž๐ โ€˜๐“๐ก๐ž ๐ˆ๐ฆ๐š๐ ๐ข๐ง๐ž๐ ๐’๐š๐ฏ๐ข๐จ๐ซ ๐ข๐ฌ ๐…๐š๐ซ ๐„๐š๐ฌ๐ข๐ž๐ซ ๐ญ๐จ ๐๐š๐ข๐ง๐ญโ€™ – ๐ฐ๐š๐ฌ ๐š๐ฅ๐ฌ๐จ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐ ๐ญ๐จ ๐ซ๐š๐ฏ๐ž ๐ซ๐ž๐ฏ๐ข๐ž๐ฐ๐ฌ ๐ข๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ’. THE LOS ANGELES TIMES named it the โ€œBest Jazz Album of 2014โ€ and THE NEW YORK TIMES declared it was a โ€œTop Album of 2014โ€ ranking it #9. In this same year, Akinmusire won the Jazz Times Criticโ€™s Poll for โ€œJazz Artist of the Yearโ€, โ€œTrumpeter of the Yearโ€ and โ€œRecord of the Yearโ€ as well as the Downbeat Criticโ€™s Poll for โ€œTrumpeter of the Yearโ€.

๐€๐ค๐ข๐ง๐ฆ๐ฎ๐ฌ๐ข๐ซ๐žโ€™๐ฌ ๐ฅ๐š๐ญ๐ž๐ฌ๐ญ ๐š๐ฅ๐›๐ฎ๐ฆ ๐ข๐ฌ ๐ญ๐ก๐ž ๐†๐‘๐€๐Œ๐Œ๐˜ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ โ€˜๐Ž๐ง ๐ญ๐ก๐ž ๐“๐ž๐ง๐๐ž๐ซ ๐’๐ฉ๐จ๐ญ ๐จ๐Ÿ ๐„๐ฏ๐ž๐ซ๐ฒ ๐‚๐š๐ฅ๐ฅ๐จ๐ฎ๐ฌ๐ž๐ ๐Œ๐จ๐ฆ๐ž๐ง๐ญ.โ€™ JAZZIZ MAGAZINE included the album in its list of “10 Albums You Need to Know: June 2020”, commenting that the album “asserts Ambrose Akinmusire as one of the top trumpeters in the world and affirms his talents as a composer via eleven originalsโ€ฆโ€ GLIDE MAGAZINE said of the album, โ€œโ€ฆMiles Davis isnโ€™t mentioned as an inspiration, but a listener canโ€™t help but think of Miles with those extended bluesy notes (the opening to โ€œRound Midnightโ€ for example). Miles once said, โ€œThe blues is the mother tongue; everything else is just commentary.โ€ Akinmusireโ€™s got that feeling of the blues. His resonates now as strongly as it ever has from the masters.โ€

๐“๐ข๐œ๐ค๐ž๐ญ๐ฌ ๐Ÿ๐จ๐ซ ๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ & ๐‚๐ซ๐ข๐ญ๐ข๐œ๐š๐ฅ๐ฅ๐ฒ ๐€๐œ๐œ๐ฅ๐š๐ข๐ฆ๐ž๐ ๐‰๐š๐ณ๐ณ ๐‚๐จ๐ฆ๐ฉ๐จ๐ฌ๐ž๐ซ ๐š๐ง๐ ๐“๐ซ๐ฎ๐ฆ๐ฉ๐ž๐ญ๐ž๐ซ ๐€๐Œ๐๐‘๐Ž๐’๐„ ๐€๐Š๐ˆ๐๐Œ๐”๐’๐ˆ๐‘๐„ and his Quartet are on sale NOW on Ticketmaster, Facebook Events at https://fb.me/e/39PnM7TPP and the Jimmy’s Jazz & Blues Club website at www.jimmysoncongress.com – ๐‘ซ๐’๐’๐’“๐’” ๐’๐’‘๐’†๐’ ๐’‚๐’๐’… ๐’‚ ๐’…๐’†๐’๐’Š๐’„๐’Š๐’๐’–๐’” ๐’…๐’Š๐’๐’๐’†๐’“ ๐’Š๐’” ๐’”๐’†๐’“๐’—๐’†๐’… – ๐’˜๐’Š๐’•๐’‰ ๐’”๐’Š๐’ˆ๐’๐’‚๐’•๐’–๐’“๐’† ๐’…๐’“๐’Š๐’๐’Œ๐’” ๐’‚๐’๐’… ๐’„๐’๐’„๐’Œ๐’•๐’‚๐’Š๐’๐’” – ๐’‚๐’• 5:30 ๐’‘๐’Ž!!

๐€๐ฅ๐ฅ ๐จ๐Ÿ ๐‰๐ข๐ฆ๐ฆ๐ฒ’๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐‚๐ฅ๐ฎ๐› ๐’๐ก๐จ๐ฐ๐ฌ & ๐„๐ฏ๐ž๐ง๐ญ๐ฌ ๐œ๐š๐ง ๐›๐ž ๐Ÿ๐จ๐ฎ๐ง๐ ๐š๐ญ: https://jimmysoncongress.com/events/

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