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The Cookers at Jimmy’s

Jimmy’s Jazz & Blues Club
135 Congress St
Portsmouth, NH 03801 US

“๐‘ป๐’‰๐’†๐’”๐’† ๐’๐’†๐’ˆ๐’†๐’๐’…๐’” ๐’‘๐’๐’‚๐’š ๐’‚ ๐’—๐’Š๐’—๐’‚๐’„๐’Š๐’๐’–๐’” ๐’”๐’•๐’“๐’‚๐’Š๐’ ๐’๐’‡ ๐’Ž๐’–๐’”๐’„๐’–๐’๐’‚๐’“ ๐’‚๐’„๐’๐’–๐’”๐’•๐’Š๐’„ ๐’‹๐’‚๐’›๐’› ๐’•๐’‰๐’‚๐’• ๐’†๐’”๐’•๐’‚๐’ƒ๐’๐’Š๐’”๐’‰๐’†๐’” ๐’‚ ๐’‰๐’Š๐’”๐’•๐’๐’“๐’Š๐’„๐’‚๐’ ๐’•๐’‰๐’“๐’๐’–๐’ˆ๐’‰-๐’๐’Š๐’๐’† ๐’•๐’ ๐’•๐’‰๐’† ๐’Š๐’๐’๐’๐’—๐’‚๐’•๐’Š๐’๐’๐’” ๐’๐’‡ ๐’‘๐’‚๐’”๐’• ๐’Ž๐’‚๐’”๐’•๐’†๐’“๐’”, ๐’Œ๐’†๐’†๐’‘๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’‡๐’‚๐’Š๐’•๐’‰ ๐’˜๐’Š๐’•๐’‰ ๐’‘๐’‚๐’”๐’”๐’Š๐’๐’ ๐’‚๐’๐’… ๐’ˆ๐’“๐’‚๐’„๐’†.” โ€” ๐‘จ๐‘ณ๐‘ณ ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘ฑ๐‘จ๐’๐’

Experience counts, especially in jazz. The more time musicians spend interpreting tunes and interacting with others, the more articulation an audience can expect. You can hear the fruits of such work in the expressive language THE COOKERS bring to the bandstand and to their six critically acclaimed recordings.

This legendary and exciting all-star septet summons up an aggressive mid โ€˜60s spirit with a potent collection of expansive post-bop originals marked by all the requisite killer instincts and pyrotechnic playing expected of some of the heaviest hitters on the scene today.

BILLY HARPER, CECIL MCBEE, GEORGE CABLES, EDDIE HENDERSON, and BILLY HART all came up in the heady era of the mid โ€˜60s. It was a period that found the dimensions of hard bop morphing from their original designs, and each of these guys helped facilitate the process as members of some of the most important bands of the era.

Hart and Henderson were members of Herbie Hancockโ€™s groundbreaking Mwandishi group; Cecil McBee anchored Charles Lloydโ€™s great โ€™60s quartet alongside Keith Jarrett and Jack DeJohnette; Billy Harper was part of Lee Morganโ€™s last group, as well as being a member of Max Roachโ€™s Quartet and Art Blakey and the Jazz Messengers; while George Cables held down the piano chair in numerous bands including groups led by Sonny Rollins, Joe Henderson, Freddie Hubbard, Dexter Gordon and Art Pepper.

DAVID WEISS and DONALD HARRISON, from a more recent generation and the youngest members of the band, are experts in this forthright lingo, having gained experience performing with Art Blakey, Bobby Hutcherson, Freddie Hubbard, Charles Tolliver, Roy Haynes and Herbie Hancock.

โ€œ๐‘ท๐’๐’‚๐’š๐’†๐’“ ๐’‡๐’๐’“ ๐’‘๐’๐’‚๐’š๐’†๐’“, ๐’•๐’‰๐’†๐’“๐’†โ€™๐’” ๐’๐’ ๐’ƒ๐’†๐’•๐’•๐’†๐’“ ๐’˜๐’๐’“๐’Œ๐’Š๐’๐’ˆ ๐’ƒ๐’‚๐’๐’… ๐’Š๐’ ๐’‹๐’‚๐’›๐’› ๐’•๐’‰๐’‚๐’ ๐‘ป๐’‰๐’† ๐‘ช๐’๐’๐’Œ๐’†๐’“๐’”.โ€
โ€” ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฉ๐‘ถ๐‘บ๐‘ป๐‘ถ๐‘ต ๐‘ฎ๐‘ณ๐‘ถ๐‘ฉ๐‘ฌ

โ€œ๐‘ป๐’‰๐’Š๐’” ๐’‰๐’‚๐’“๐’…-๐’‰๐’Š๐’•๐’•๐’Š๐’๐’ˆ ๐’”๐’†๐’‘๐’•๐’†๐’• ๐’˜๐’†๐’‚๐’“๐’” ๐’Š๐’•๐’” ๐’๐’‚๐’Ž๐’† ๐’๐’Š๐’Œ๐’† ๐’‚ ๐’Ž๐’Š๐’”๐’”๐’Š๐’๐’ ๐’”๐’•๐’‚๐’•๐’†๐’Ž๐’†๐’๐’•. ๐‘น๐’Š๐’„๐’‰ ๐’˜๐’Š๐’•๐’‰ ๐’‚ ๐’Ž๐’Š๐’™ ๐’๐’‡ ๐’„๐’๐’‚๐’”๐’”๐’Š๐’„ ๐’†๐’๐’†๐’ˆ๐’‚๐’๐’„๐’† ๐’‚๐’๐’… ๐’†๐’™๐’‘๐’๐’๐’“๐’‚๐’•๐’Š๐’๐’, ๐’•๐’‰๐’† ๐’ˆ๐’“๐’๐’–๐’‘ ๐’Ž๐’Š๐’ˆ๐’‰๐’• ๐’“๐’†๐’‡๐’†๐’“๐’†๐’๐’„๐’† ๐’•๐’‰๐’† ๐’‘๐’‚๐’”๐’• ๐’ƒ๐’š ๐’๐’‚๐’Ž๐’†, ๐’ƒ๐’–๐’• ๐’Š๐’• ๐’๐’†๐’—๐’†๐’“ ๐’”๐’๐’–๐’๐’…๐’” ๐’๐’†๐’”๐’” ๐’•๐’‰๐’‚๐’ ๐’„๐’–๐’“๐’“๐’†๐’๐’•.โ€
โ€” ๐‘ณ๐‘ถ๐‘บ ๐‘จ๐‘ต๐‘ฎ๐‘ฌ๐‘ณ๐‘ฌ๐‘บ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ

โ€œ๐‘จ ๐’…๐’“๐’†๐’‚๐’Ž ๐’•๐’†๐’‚๐’Ž ๐’๐’‡ ๐’‡๐’๐’“๐’˜๐’‚๐’“๐’…-๐’๐’†๐’‚๐’๐’Š๐’๐’ˆ ๐’‰๐’‚๐’“๐’…-๐’ƒ๐’๐’‘โ€
โ€” ๐‘ต๐‘ฌ๐‘พ ๐’€๐‘ถ๐‘น๐‘ฒ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ

โ€œ๐‘ป๐’‰๐’† ๐‘ช๐’๐’๐’Œ๐’†๐’“๐’” ๐’‚๐’“๐’† ๐’‰๐’‚๐’“๐’…-๐’˜๐’Š๐’“๐’†๐’… ๐’Š๐’๐’•๐’ ๐’•๐’‰๐’† ๐’ˆ๐’๐’๐’…๐’†๐’ ๐’†๐’“๐’‚ ๐’๐’‡ ๐’‹๐’‚๐’›๐’› ๐’‰๐’Š๐’”๐’•๐’๐’“๐’š, ๐’ƒ๐’–๐’• ๐’•๐’‰๐’†๐’š ๐’–๐’”๐’† ๐’•๐’“๐’‚๐’…๐’Š๐’•๐’Š๐’๐’ ๐’‚๐’” ๐’‚ ๐’‡๐’๐’–๐’๐’…๐’‚๐’•๐’Š๐’๐’ ๐’‡๐’๐’“ ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’† ๐’‡๐’–๐’“๐’š ๐’Š๐’ ๐’•๐’‰๐’† ๐’‘๐’“๐’†๐’”๐’†๐’๐’• ๐’Ž๐’๐’Ž๐’†๐’๐’•.”
โ€” ๐‘ฑ๐‘จ๐’๐’ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ

โ€œ๐‘ป๐’‰๐’Š๐’” ๐’Š๐’” ๐’•๐’‰๐’† ๐’ˆ๐’“๐’†๐’‚๐’•๐’†๐’”๐’• ๐’‹๐’‚๐’›๐’› ๐’”๐’–๐’‘๐’†๐’“-๐’ƒ๐’‚๐’๐’… ๐’˜๐’๐’“๐’Œ๐’Š๐’๐’ˆ.โ€
โ€” ๐‘ซ๐‘ฌ๐‘ป๐‘น๐‘ถ๐‘ฐ๐‘ป ๐‘ด๐‘ฌ๐‘ป๐‘น๐‘ถ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ

“(๐‘ป๐’‰๐’† ๐‘ช๐’๐’๐’Œ๐’†๐’“๐’”) ๐’‚๐’“๐’† ๐’”๐’๐’Ž๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’ƒ๐’†๐’”๐’• ๐’„๐’๐’Ž๐’‘๐’๐’”๐’†๐’“๐’”, ๐’‚๐’“๐’“๐’‚๐’๐’ˆ๐’†๐’“๐’” ๐’‚๐’๐’… ๐’Ž๐’–๐’”๐’Š๐’„๐’Š๐’‚๐’๐’” ๐’˜๐’† ๐’‰๐’‚๐’—๐’† ๐’Š๐’ ๐’‹๐’‚๐’›๐’›, ๐’‚๐’๐’… ๐’•๐’‰๐’†๐’šโ€™๐’“๐’† ๐’˜๐’๐’“๐’Œ๐’Š๐’๐’ˆ ๐’•๐’๐’ˆ๐’†๐’•๐’‰๐’†๐’“ ๐’Š๐’ ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’Ž๐’๐’”๐’• ๐’†๐’™๐’„๐’Š๐’•๐’Š๐’๐’ˆ ๐’”๐’–๐’‘๐’†๐’“-๐’ˆ๐’“๐’๐’–๐’‘๐’” ๐’˜๐’†โ€™๐’—๐’† ๐’”๐’†๐’†๐’ ๐’Š๐’ ๐’‚ ๐’๐’๐’๐’ˆ, ๐’๐’๐’๐’ˆ ๐’•๐’Š๐’Ž๐’†. ๐‘ป๐’‰๐’† ๐’‚๐’“๐’“๐’‚๐’๐’ˆ๐’†๐’Ž๐’†๐’๐’•๐’”, ๐’‰๐’‚๐’๐’…๐’๐’†๐’… ๐’ƒ๐’š ๐‘ฏ๐’‚๐’“๐’‘๐’†๐’“ ๐’‚๐’๐’… ๐‘พ๐’†๐’Š๐’”๐’”, ๐’‚๐’“๐’† ๐’๐’–๐’•๐’“๐’‚๐’ˆ๐’†๐’๐’–๐’”๐’๐’š ๐’˜๐’๐’๐’…๐’†๐’“๐’‡๐’–๐’. ๐‘จ๐’๐’… ๐’•๐’‰๐’† ๐’Ž๐’–๐’”๐’Š๐’„๐’Š๐’‚๐’๐’” ๐’‹๐’–๐’”๐’• ๐’Œ๐’Š๐’๐’ ๐’Š๐’• ๐’๐’ ๐’†๐’—๐’†๐’“๐’š ๐’•๐’–๐’๐’†.โ€
โ€” ๐‘ซ๐‘ถ๐‘พ๐‘ต๐‘ฉ๐‘ฌ๐‘จ๐‘ป ๐‘ด๐‘จ๐‘ฎ๐‘จ๐’๐‘ฐ๐‘ต๐‘ฌ