โ๐จ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐.โ
โ ๐ต๐ฌ๐พ ๐๐ถ๐น๐ฒ ๐ป๐ฐ๐ด๐ฌ๐บ
๐๐ฑ ๐๐๐๐๐๐ยฎ ๐๐ฐ๐๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐๐ญ๐๐ ๐๐ข๐ง๐ ๐๐ซ & ๐๐จ๐ง๐ ๐ฐ๐ซ๐ข๐ญ๐๐ซ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐ก๐๐ฌ ๐ก๐๐ ๐ฉ๐ฅ๐๐ง๐ญ๐ฒ ๐จ๐ ๐ฆ๐ข๐ฅ๐๐ฌ๐ญ๐จ๐ง๐ ๐ฆ๐จ๐ฆ๐๐ง๐ญ๐ฌ ๐ข๐ง ๐๐ฌ๐ญ๐๐๐ฅ๐ข๐ฌ๐ก๐ข๐ง๐ ๐ก๐๐ซ๐ฌ๐๐ฅ๐ ๐๐ฌ ๐จ๐ง๐ ๐จ๐ ๐ญ๐จ๐๐๐ฒ’๐ฌ ๐๐๐ฌ๐ญ ๐๐ง๐ ๐ฆ๐จ๐ฌ๐ญ ๐ข๐ฆ๐ฉ๐จ๐ซ๐ญ๐๐ง๐ญ ๐ฏ๐จ๐๐๐ฅ๐ข๐ฌ๐ญ๐ฌ. The singer had been highly touted out of college, finishing runner-up in the prestigious โThelonious Monk Vocal Jazz Competitionโ in 1998.
๐๐ฏ๐๐ซ ๐ญ๐ก๐ ๐๐ง๐ฌ๐ฎ๐ข๐ง๐ ๐๐+ ๐ฒ๐๐๐ซ๐ฌ, ๐๐จ๐ง๐ก๐๐ข๐ญ ๐ก๐๐ฌ ๐ฌ๐จ๐ฅ๐ข๐๐ข๐๐ข๐๐ ๐ก๐๐ซ ๐ฌ๐ญ๐๐ญ๐ฎ๐ฌ ๐๐ฌ ๐๐ง ๐ข๐ฆ๐ฉ๐๐๐๐๐๐ฅ๐ ๐ข๐ง๐ญ๐๐ซ๐ฉ๐ซ๐๐ญ๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐๐ซ๐๐๐ญ ๐๐ฆ๐๐ซ๐ข๐๐๐ง ๐๐จ๐ง๐ ๐๐จ๐จ๐ค, combining her love for traditional straight-ahead jazz and the more cinematic songs from theatre and stage. A vocalist with remarkable virtuosity and innate interpretative skills, Jane Monheit puts her own unique touch on jazz standards and any song she sings.
๐๐๐ง๐ ๐๐จ๐ง๐ก๐๐ข๐ญ ๐ฐ๐๐ฌ ๐ฃ๐ฎ๐ฌ๐ญ ๐๐ ๐ฐ๐ก๐๐ง ๐ฌ๐ก๐ ๐ซ๐๐ฅ๐๐๐ฌ๐๐ ๐ก๐๐ซ ๐๐๐๐ฎ๐ญ ๐๐ฅ๐๐ฎ๐ฆ, ๐๐๐ฏ๐๐ซ ๐๐๐ฏ๐๐ซ ๐๐๐ง๐, ๐ฐ๐ก๐ข๐๐ก ๐๐๐๐ญ๐ฎ๐ซ๐๐ ๐๐จ๐ง ๐๐๐ซ๐ญ๐๐ซ, ๐๐๐ง๐ง๐ฒ ๐๐๐ซ๐ซ๐จ๐ง, ๐๐ง๐ ๐๐๐ฐ๐ข๐ฌ ๐๐๐ฌ๐ก. The album was awarded “Best Recording Debut” by the Jazz Journalist Association and stays on the Billboard Jazz Chart for a year. Come Dream with Me followed in 2001 with a #1 debut on the Billboard Jazz Chart.
๐๐ง ๐ญ๐ก๐ ๐๐ฎ๐ง (๐๐๐๐) ๐ฐ๐๐ฌ ๐ซ๐๐๐จ๐ซ๐๐๐ ๐ฐ๐ข๐ญ๐ก ๐ฅ๐ฎ๐ฌ๐ก ๐ฌ๐ญ๐ซ๐ข๐ง๐ ๐๐ซ๐ซ๐๐ง๐ ๐๐ฆ๐๐ง๐ญ๐ฌ ๐๐ง๐ ๐ ๐ซ๐๐ฉ๐๐ซ๐ญ๐จ๐ข๐ซ๐ ๐จ๐ ๐ฌ๐จ๐ง๐ ๐ฌ ๐๐ซ๐จ๐ฆ ๐ญ๐ก๐ ๐๐๐ฌ ๐ญ๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐ญ๐ก๐ ๐๐๐ฌ. Further highlighting Janeโs range and command as a vocalist-musician, Live at the Rainbow Room (2003), documents a performance at the iconic New York club with a full band and Symphony Orchestra conducted by Alan Broadbent. Monheit received her first GRAMMYยฎ Award Nomination from this album for the song “Since You’ve Asked”.
๐๐ก๐ ๐๐ฅ๐๐ฎ๐ฆ๐ฌ ๐ค๐๐ฉ๐ญ ๐๐จ๐ฆ๐ข๐ง๐ , ๐ซ๐๐๐ฅ๐๐๐ญ๐ข๐ง๐ ๐๐จ๐ง๐ก๐๐ข๐ญโ๐ฌ ๐๐ฎ๐๐ฅ ๐ข๐ง๐ญ๐๐ซ๐๐ฌ๐ญ๐ฌ ๐ข๐ง ๐ฃ๐๐ณ๐ณ ๐๐ง๐ ๐๐๐๐๐ซ๐๐ญ: Taking a Chance on Love (2004), a swinging survey of show tunes and her label debut for Sony. Monheit received her second GRAMMYยฎ Award Nomination from this album for the song “Dancing in the Dark”. Over the next 18 years, Monheit would release 8 more critically acclaimed albums, including her most recent Come What May (2021), which highlights her fresh take on first-rate standards, with deft interpretations honed after years on the road.
๐ ๐ซ๐จ๐ฆ ๐ญ๐ก๐ ๐ฌ๐ญ๐๐ซ๐ญ ๐จ๐ ๐ก๐๐ซ ๐๐๐ซ๐๐๐ซ, Monheit’s voice has been compared to Ella Fitzgerald’s incandescent instrument, both possessed of an effortless melodicism, expert timing & a gift for flawless diction.
“๐ป๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐
๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐
๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐
๐๐.”
โ ๐จ๐ณ๐ณ ๐จ๐ฉ๐ถ๐ผ๐ป ๐ฑ๐จ๐๐ (2016 ๐จ๐๐๐๐ ๐น๐๐๐๐๐ ‘๐ป๐๐ ๐บ๐๐๐๐๐๐๐ ๐บ๐๐๐๐๐๐๐: ๐ฌ๐๐๐ ๐ญ๐๐๐๐๐๐๐๐๐
’)
“๐ถ๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐, โ๐ช๐๐๐ ๐พ๐๐๐ ๐ด๐๐โ, ๐ด๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐
๐๐๐๐๐, ๐
๐๐๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐
๐๐๐
๐, ๐๐๐๐ ๐๐ โ๐ณ๐๐๐ ๐ณ๐๐๐โ, โ๐ณ๐๐โ๐ ๐ญ๐๐๐ ๐ป๐๐ ๐ด๐๐๐๐ ๐จ๐๐
๐ซ๐๐๐๐โ ๐๐๐
๐ฑ๐๐๐๐โ๐ โ๐บ๐๐๐๐ ๐ซ๐ ๐จ๐๐๐๐โโฆ๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ (โ๐ป๐๐ ๐ต๐๐๐๐๐๐๐ ๐๐ ๐๐๐โ), ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐ด๐๐๐๐๐๐โ๐ ๐๐๐๐๐๐๐, ๐๐๐๐
๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐
๐พ๐๐๐๐ ๐ฏ๐๐๐โ๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐.โ
โ ๐ซ๐ถ๐พ๐ต๐ฉ๐ฌ๐จ๐ป ๐ด๐จ๐ฎ๐จ๐๐ฐ๐ต๐ฌ (2021 ๐จ๐๐๐๐ ๐น๐๐๐๐๐ ‘๐ช๐๐๐ ๐พ๐๐๐ ๐ด๐๐’)
๐๐ข๐๐ค๐๐ญ๐ฌ ๐๐จ๐ซ ๐๐ฑ ๐๐๐๐๐๐ยฎ ๐๐ฐ๐๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐๐ญ๐๐ ๐๐ข๐ง๐ ๐๐ซ & ๐๐จ๐ง๐ ๐ฐ๐ซ๐ข๐ญ๐๐ซ ๐๐๐๐ ๐๐๐๐๐๐๐ at Jimmyโs Jazz & Blues Club on ๐ ๐ซ๐ข๐๐๐ฒ ๐๐๐ซ๐๐ก ๐๐ ๐๐ญ ๐:๐๐ ๐.๐. are NOW On-Sale on Ticketmaster, Facebook Events at: https://fb.me/e/2v6Kb16xy and the Jimmy’s Jazz & Blues Club website at: https://jimmysoncongress.com/event/jane-monheit-2/ โ ๐ซ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐ ๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ – ๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ – ๐๐ 5:30 ๐๐!!
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